By Anna Dezeuze
Focusing on comparative case reviews drawn from ecu, North and South American practices, this learn maps out a community of comparable issues and practices, whereas outlining its evolution from the Nineteen Sixties to the start of the twenty-first century.
This publication will offer scholars and amateurs of up to date paintings and tradition with new insights into modern paintings practices and the severe matters that they elevate in regards to the fabric prestige of the paintings item, the position of the artist in society, and the relation among artwork and daily life.
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Almost Nothing: Observations on precarious practices in contemporary art by Anna Dezeuze